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Ma Faiza

PUNE12 Jan 2013

Venue Centre Stage, Deccan College Ground, Deccan College Road, Yerawada
Opening Time7:30 PM
Entry Free Entry. All are welcome!
The Global DJ

Ma Faiza jumps genres, mixes sounds and creates a vibe that touches your soul and gets your foot tapping. She practically makes it her responsibility to ensure that everyone present takes to the dance floor.

At the Urban Mela in Pune, Ma Faiza will be jamming with violinist Manoj George from Bangalore.

While the rest of the world had already begun picking up on an underground electronic sound, India was slow on the uptake. Travelling to India to discover her roots and realize her Indian connection, Ma Faiza allowed herself to embark on a journey that would change her life, not only as a performer but as an individual too. Ma Faiza was soon performing all the way from the sands of Goa to Ibiza. Not limited by genre, convention or margins of any kind, she has allowed cultures, people, and flavours to influence her and her own unique style.

Watching Ma Faiza perform is impossible to do standing still. The energy and love that she sends out to the crowd during a show is returned by her audiences who thrive on her music.

At Pune, Ma Faiza will be performing together with Bangalore-based violinist Manoj George.

Information about the artist

Born in Africa of Indian origin, Ma Faiza evolved as a DJ in London and is today one of India's busiest and most successful DJs. Her explosive performances have been featured at some of India`s premier EDM events including Smirnoff Experience, Bar 21, Sunburn Festival, Global Groove Festival and EarthSync Festival

Ma Faiza was the Electronic Editor for Rava Magazine in India for 18 month, with a regular monthly column demystifying electronic music and its culture, special features on happenings around the world, interviews and EDM CD reviews.

She had her own column in India´s Rolling Stone Magazine in the ElectroBuzz section covering EDM for seven issues, covering current topics with EDM culture and lifestyle.

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